Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Friday, July 16, 2010

Beyond Your Imagination

So I really love musicals. They're pretty much all I listen to. (I know. I'm weird). However, I don't actually own that many soundtracks, so my iPod has a tendency to repeat itself. Despite the fact that I've listened to most of my soundtracks hundreds of times, every once in a while something new strikes me.

For example, recently I was listening to the Original Broadway Cast Recording of The Phantom of the Opera. Right before the climax of act one, the Phantom threatens the managers of the opera using these words (spoken not sung):

"Should these commands be ignored, a disaster beyond your imagination will occur."

This sentence pretty much stopped all my other thought processes. A disaster beyond my imagination? What sort of disaster is beyond my imagination?

I began to think about disasters. The oil spill? Definitely not beyond my imagination. I've read enough post apocalyptic literature to clearly imagine that. A awful hurricane like Katrina? Totally not beyond my imagination. I've lived in Mississippi. They frightened us quarterly in school with videos of hurricane Camille. (I'm sure the videos have all been upgraded to Katrina recently). But let's give the Phantom some credit. In context, clearly no one would have said he's going to somehow fabricate some sort of natural or major ecological disaster. The threat definitely comes across as a more personal disaster.

So what disaster's can I imagine for an opera house? Umm....quite a few. I've seen more than enough horror flicks in my time, and I could just imagine the Phantom picking off ballerinas one by one as they get separated from each other. Or maybe a worse disaster in the eyes of his managers - he would do something to all their money! Surely there is a bank vault in there that he could easily break into and steal everything. Or maybe he would have some sort of trap for all the guests that night. Maybe no one would make it out of the opera alive. Yes, if we're going for cataclysmic disasters that the Phantom might be able to pull off that could be "beyond my imagination" then I'm going to guess no one is coming out a live.

But what does the Phantom do instead?

He kills a behind the scenes guy, does something weird to Carlotta's voice, and takes down the chandelier.

Really? That's beyond my imagination? One dead guy. One hoarse woman. A broken chandelier? Sheesh.

His plan might have been beneath my imagination, since it was so small that I never would have considered it (though I could definitely have imagined it) but it certainly wasn't beyond my imagination. I mean that phrase insinuates that its something I can't begin to fathom.

And it really irritates me that the Phantom obviously thinks so little of my imagination.

Because that's what his words insinuate to me. They tell me either he thinks my imagination is completely pathetic or his imagination is so pathetic that this is the worst thing he can think of. (I somehow can't believe that of a character who writes an opera.)

And yes, I realize the words weren't directed at me but at his manager's, but it's something that those of us who command words need to realize. People take words seriously. Even if the words aren't exactly directed at them. Even if the words aren't meant to lead to a certain line of thought, they can.

This is why agents hate it when people start queries with rhetorical questions. Because you open up with "What if a disaster beyond your imagination occurred?" The agent imagines the worst disaster they can, and then read on to see said disaster. But your disaster is not beyond their imagination. It's beneath it. You just insulted your reader, who happens to be the prospective agent.

So be careful with your words especially when wielding such a strong phrase. Don't make the Phantom's mistake.

Thursday, May 28, 2009

Bittersweet Fountain -- Part 1


I love musicals.

Seriously, there are few things in life I enjoy more than an amazing, moving musical production. If you ever found my iPod you would undoubtedly think, "Wow, this girl really likes musicals" and "seriously, does she have every WOW CD from the past ten years?" You would be right on both accounts.

But what you call a good musical and what I call a good musical may not be the same. To find out, I am going to discuss my love for my three favorite musicals starting with least favorite and going to most favorite.

Warning! Spoiler alerts!!! I will give away the ending. You have been warned.

3. Aida
Talk about a sexy voice. I am of course talking about Adam Pascal, the man who plays Radames. On my first listen to the Aida soundtrack I was sold whn I first heard him sing "Elaborate Lives". But it takes more than a sexy voice to make it into my top three musicals of all time. Aida is unashamedly a love story, but a love story embroiled in politics, war, love triangles, and family intervention. It is about two people from very different backgrounds who end up falling in love. However, their backgrounds doom them, and they end up being buried alive together.

2. Les Miserables
Epic tragedy. In a nut shell, those two words describe Les Mis. It's about discovering who you are, discovering God's plan for you, and finding your place in society. It's also about revolution. I have to say its the revolution that puts it over the top for me. (Revolutionary Europe is my favorite time period, 1789 to 1914. I'm a sucker for a good revolution). The song "Do You Hear the People Sing?" makes me want to start a revolution myself. Les Mis is a musical that doesn't just entertain - it changes you. In the very last song it demands that we strive to make the world a better place. We must hear the people sing.

1. Wicked
In my opinion, this may be the greatest musical ever written. The music is phenomenal, the story lines enticing, the comic relief hilarious, and it changed my perception of a story I've known all my life. The character Elphaba is one I relate to: she is different, awkward, and uncool. She want to change the world for the better and has the greatest dreams that she can. She refuses to be bound by the system. She is a revolutionary.

Looking at the three musicals you can sort of see the similar themes to my favorites: revolution, death, two girls who are both attracted to the same guy, and of course, bittersweet endings. I appreciate the "happily ever after" ending, but I'm a sucker for the bittersweet. Aida and Radames get to be together, but only in death while Amneris is left alive but alone. Cosette and Marius get to be together, but only after Eponine, who loves Marius, and all of Marius' revolutionary buddies die. Elphaba and Fiyero run off together, but Glinda is left thinking they are dead and alone. Ah, the bittersweet.

Why do I like bittersweet endings? Maybe its because I relate often to the person who is left behind: Amneris, Eponine, and Glinda. Maybe its because I feel like life is much more bittersweet then it is happily ever afters. I'm not sure. I only know that a truly bittersweet ending both breaks and fills my heart. This is part of the reason why I chose the name "Bittersweet Fountain". I love bittersweet stories.